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welcome

Welcome to my personal home page. You'll find samples of work I've done in the areas of:

art
journalism
radio
web design

portfolios

Suzette's Web Design Portfolio

Suzette's Fine Arts Certificate (Multimedia) Portfolio

for Kiss Machine

The Disposable Ages of Woman, a diagram; exclusively in Kiss Machine Issue #10: The Disposable Issue.

for Sequential Tart

Sequential Tart is a Web Zine about the comics industry, published by an eclectic band of women. The publication is dedicated to providing exclusive interviews, in-depth articles and news, while working towards raising the awareness of women's influence in the comics industry and other realms.

for February 2006

Feature
Brokeback Mountain and Tristan & Isolde — From Arcadia to Here, and All the Gaps Between
The greatest leap is not from thinking about an action and doing it, but the leap to thinking of it from not having had the thought at all. The gaps between acknowledgement and action are crucial elements in two seemingly disparate recent movies, Brokeback Mountain and Tristan & Isolde.

for December 2005

Editorial
Possible Worlds
Special issue exploring how comics and other artforms can be powerful vehicles for exploring possible worlds.

Features
The Multiverse Is/Was Dead. Long Live the Multiverse!
Why many worlds are better than one.

Fictional Election Fever
TV ties the fictional to the fictitious.

Roundtable
The Best of Worlds, and the Worst
What is your ideal society? The worst possible society? Tarts discuss some memorable prose examples.

for October 2005

Feature
This Is the Story of Mariko Tamaki and Jillian Tamaki. So Read On.
Skim Takota is a high school goth who is desperate to create a physical and narrative space for herself. Mariko Tamaki and Jillian Tamaki tell her story.

Column
Rant of the Month — Feeding Kate Moss to the Lions: A Slender Sacrifice
A supermodel's career goes up in flames while the fashion industry fiddles by a river called Denial.

Reviews

All Reviews

Features

Haunted by Phantom Colonialism — The Phantom: The Ghost Killer (September 2005)
Starting as a comic strip in 1936, The Phantom diversified into a variety of comics series and other mediums over the years. But with the latest comics from Moonstone Books, Tart Suzette Chan asks a question of the Phanton legend as a whole: has it evolved with the times?

Joanne Woytysiak: Cultivating Comics (April 2005)
Gothbunnies is a flourishing new web comic about adventures in arcane gardening. Joanne Wojtysiak is the creator who nurtured it.

Chuck McKinney: He Loves the Nightlife (March 2005)
A new web comic set in a gay bar explores nightlife in all its infinite variety. Creator/writer Chuck McKinney explains.

Crossing Borders: Jessica Abel (February 2005)
La Perdida is the fictional story of a young American in Mexico who becomes entangled in relationships, politics, and intrigue. Jessica Abel talks about the long and rewarding artistic journey she undertook to tell the tale.

PowerPopCultureGirl: Emily Pohl-Weary (November 2004)
Rejecting mass market entertainment, Emily Pohl-Weary made a name for herself as a small press activist and co-author with her grandmother, of the Hugo Award-winning biography, Better to Have Loved: The Life of Judith Merril. Back in pop culture's thrall, Pohl-Weary now celebrates new possibilities for the superheroine trope with her anthology, Girls Who Bite Back: Witches, Mutants, Slayers and Freaks.

Reading Catwoman: One Icon's Leap from Cipher to Character (October 2004)
For such an iconic figure, Catwoman seemed to be little more than a cipher until recently. I follow her journey from villian to vigilante.

The World According to Jane (September 2004)
Paige Braddock, creator of the comic Jane's World, discusses the relationship between form and content.

Our Ripley, Our Selves (December 2003)
I recently revisited the Alien series of films. My conclusion? Aliens are scary. Creepy robots are scary. Work camps are scary. Ron Perlman is scary. But so are Other things.

Letter re: Jeepers Creepers 2 (December 2003)
A reader comment (scroll down to the last letter on the page) about Jeepers Creepers 2 begged a few questions which I considered at length:

 

1.

Is there only one possible interpretation (or reading) of Jeepers Creepers 2?

 

2.

Does biographical interpretation negate all other readings?

 

3.

Is the threat or depiction of sexual violence toward adolescent males unique to work by child molesters?

Uncanny Movies: Shades of Scary! (October 2003)
Dirty Pretty Things and Jeepers Creepers 2 are two very different movies. You might call one a political film, the other a slasher flick. But if Freud were a movie critic, he might say they both expressed a particular shade of frightening: The Uncanny.

Hitting the mylar ceiling (August 2003)
People take film seriously. Why not comics?

Roundtables

Back-to-School Time (September 2005)
Part the Sequential Tart mission is to highlight to our readers comics that have impressed us and that we believe are deserving of a wider audience. In honor of back-to-school time, we looked at educational comics. My recommendation was Louis Riel by Chester Brown.

Tart to Heart: Which comic book character is most like you? (September 2005)
What I have in common with Angry Little Girls.

Tart Tastes: Grant Morrison (August 2005)
With Tart Tastes, Sequential Tart focuses on great creators and topics within comics. My choice for signature Grant Morrison work: Sebastian O.

 

 

 

 

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